Building... Oh! Am I?! Nope... Still building...

As my title describes, I am still building. I am SO FAR behind it makes me want to commit hate crimes against an under-represented group of peoples... Well, maybe not THAT far behind but still...

The puppets are almost there. You can see in the picture there relative size and shape. I really like how they are coming out. I just want them FINISHED!!!

I decided to make my mouth pieces out of layered paper. I acually enjoy cutting small shapes out of paper so this has been going pretty well. The little girl mouths are SO VERY TINY and hard to set up without a reference. I decided to do the big versions first and then model the little girls after it.

And THE SET! Well... this is only a picture of one toy mountain. My set is suppose to be the inside of a toy chest, so it is made entirely of TOYS! These toys are all from my childhood. So many memories. It has been a little painful to hot glue them all together, as if to finally say, "I'm not playing with you anymore, so shut up and let me build my masterpiece from your corpses!"





So that's it, at least in picture form. I have another couple hills in progress and more parts of the puppets completed but nothing absolutely finished. I am spending from now till christmas with my family but I will probably head back to my basement on campus a day or so after we praise the birth of the newborn king. Watch out for the week of January Tenth, because I will start animation that week. Wish me luck till then.

 

THE kindof FINISHED butcouldbebetter ANIMATIC

As the title gibberz, this is my final animatic. Any changes made after this will not be published (since they will be pretty minor). It's still ruff but I am not really interested in pre production so I am trying to move past it as best and as quick as I can.

The big news: this version is over a minute less than the last one. A really BIG cut for my standards. I hope it flows better this way.

Not much else to comment on. Set is getting closer to finished and so are the puppets. More on that later.

ROUGH Animatic

Hey yawl.

So I have been working hard the past few weeks. Started building my puppets and finished a rough cut of my animatic so obviously that means I have to SHOW IT  (it is up above... duh)

So things have had there ups and downs. Ran out of money a few times and haven't been prioritizing homework in a proper fashion so I am behind on construction. It is a habit I seem to be forming with puppet construction. A very BAD habit that must be CLEANSED from my flesh.

The only big thing I should explain is that they are in a toy chest (some people are confused by the opening of this cut. that should be solved when it is actually shot). Also I am not a draftsman/illustrator. I enjoy drawing but I am not necessarily great at it or care enough to improve my skills.

Hope you enjoy it. I'll post the new one once I finish it and I should have shots of puppet armatures next week.

tOOtles

Camera Geek

(I am only doing this to indulge my inner camera junkie so bare with me.)

Over the past summer I have learned to LOVE CAMERAS. I mean seriously, photographic technology rocks my socks. It started after I bought my first DSLR, my canon t1i, for my stop motion projects. I didn't do much with it besides my one quarter film during that first spring but it was cool to have a nice camera (I only ever had one camera before it and that was an extreme compact fujifilm point and shoot). Then when I moved to my next project I read up on a bunch of things regarding flickr and how to avoid it. The number one was an adapter and nikon lenses, and at first I had no money so it was out of the question. BUT a shining beacon came in the form of my girlfriend, who shall be called A. She had once been into film photography and still had an old pentax k1000 to prove it but that wasn't the exciting part.

Years ago, when she had first gotten into photography her aunt gave her two nikkor lenses from when she had a camera (not sure why she had the lenses but not the camera). A fifty and a three hundred. There was my answer! And A was more than happy to give them to me, (she had since moved on from photography into different craft interests).  Immediatly upon these turn of events I bought myself an F mount to EOS mount adapter.

During my second film, I eventually purchased a couple old manual lenses from a local camera shop. He gave me a discount so I paid way under what one of the lenses with AF would have cost me. Then, when my father and I were looking through some old things at my late grandfather's house, we found my dad's Nikon FG. He gave it to me and, luckily, the lenses I bought work with the FG's metering system. Hooray!

Now this summer happened. I got more and more interested in digital photography (and did some film practice on the side). I also acquired a professional crop-sensor nikon body through my adventures. She's old but hasn't run out of actuations. And all my old lenses work with her. This all leads me to this -->

I took out a 7D from my school's equipment cage to familiarize myself with it in jux-position to the nikon. And I decided to take the oppurtunity to photograph my main equipment.


Sometimes I wonder if I should go into Camera and lighting work when I move to LA, or stick with fabrication or compositing. It is a given that I want to animate but I have been a little conflicted as of late as to what else to try and specialize in, if anything at all.

I'll be buying some 100w fresnels in the next few weeks and I am just about to move onto my animatic. More updates to come.

Character DESIGN!

 Did I ever mentioned I abandoned the whole claymation/downshooting concept? Well I did and am going back to my roots of puppet animation. These are just a few pages that my lovely assistant drew up when we decided to go this route. When I first kiboshed the whole clay emote thing I went back to my original monster and princess concept I had before I started recording Girly. We mulled it over a little but something didn't seem right about a Monster and Princess pairing.

  I wanted my the two creatures to be distinctly connected but in order to be satisfied with the princess thing I could only come up with adding a prince that the monster was eating. I hated the idea and quickly had my character designer go with an idea I had for a smaller version of the monster. (Hence the first picture)

I was hooked on the idea immediatly after she drew the first hairy little thing (the fanny pack is an abandoned concept). We went through I few revisions of her basic set up and I realized I wanted her to be asymmetrical. So the horns were adjusted. Of course once she was uneven, we just had to go back to the original creature and see how he would look next to her. He has changed a bit since his original drawing but I very much enjoy what he has become.



After some discussion about construction, we wound up with the illustration on the right of the two of them. Aren't they just ADORABLE!? I am very happy with this result. There are noticeable differences between the two disregarding the size. The arms are probably the most notable. The elder monster is much more (dare I say) "animated" with the lines from the recordings so I wanted the long arms for that purpose. The junior monster needs to hold more innocence and be as juvenile as possible without breaking away from her counterpart, so she was given smaller arms and her awkward horns to signify a different age group


Construction will begin this time next week. As for this week, the storyboards are being worked on. Now before you go "A week to decide how your visual storyline? are you really doing it justice!?" Because of a certain animatic requirement at SoFA I need to get something on paper and then onto a timeline for export within these next three weeks. It won't be a finalized version but it will be close to the end result. (just a quick thing, my recording is edited to exactly what I want, meaning my story timeline is already concrete. I don't need to work out timing within the dialog or any such thing. It flows better as it was dictated so I am keeping it as such.)

Also, since this is my first time blogging I thought figuring out pictures would be a nightmare but chrome and blogger together now make it infinitely easy. Thanks again google for slowly making me dependent on your software.

I'll post some of the boards next week. Going to go take a test now. Damn all my other classes.  

OIAF

I went to Ottawa this weekend for the Animation Festival. Boy, was it a blast. Seriously. My top pick of the festival is Dodu, the Cardbaord Boy. It was just so Pretty while still being made of cardboard. My Second coming in close would be the feature Colorful. I completely avoided Phil Mulloy's Ending to his tasteless trilogy. I learned my lesson from Goodbye Mr. Christie.

As always it had it's ups and downs and keeps me asking "why is this in here" but as my professor told me, "It doesn't want to be Annecy."(summation of what he said)

I had my girlfriend (and lovely character design and fabricator) along with me. We have some final designs of the characters for my film now. Pictures to come soon. Probably send along some pictures of ottawa as well.

Pip Pip and all that jazz

I'M BACK

HEY THERE!

So, after many many months of not even trying to blog again, I HAVE RETURNED! I was interning in Brooklyn this summer so I kind of lost track of time, even with regards to my thesis... BUT I did get work done on it. Let's crash right past the boring part of how far I came and get to the point.

I HAVE MY RECORDING! I have what I consider worth all those nights I was stricken with panic concerning whether doing recordings with my sister would ever work. I am in the piece now, in fact, I am the other main character alongside my sister. Basically, after I thought I had made a final choice on what I would use for My Thesis I did one last recording with my sister AND BOY! was it worth it. It is basically an argument we had after she accidentally called a bucket a shovel.

Also, lots of medium stuff has changed. I am almost definitely doing clay animation with a lot of replacement work and I might even do clay on glass (little weary of that though). Of course, with Tom on my side giving me pointers, my sculpture skills should progress rapidly. I am struggling with whether to put the nail in the coffin on that though. I mean, originally the whole point of the piece was to do a lot of solid character animation with full bodied humanoid characters. That all changed with this recording. There is just something about it and the ideas I get from it do not equal the blue-print I started with. I feel that I need to express these characters beyond the confines of a body. I want to squash and stretch them as their emotions rise and fall. I want to convey their emotes different from the expected.

I think that is the point of my new vision. I want to move away from the expected and have fun with the animation. I could stress over how this work will be my last chance before getting into the real world of animation, or I could just have fun making a GREAT animated short involving my sister. So to hell with the confines of "reel-worthy" and let's say hello to getting back to the FUN in animation.

TATA!